COMICS OF THE 1940's


ON THIS PAGE:

Babe Bunting

Napoleon and Uncle Elby


Babe Bunting

A theater seat
BABE BUNTING:
Drawn By:

Fanny Cory (Originator) 34-35
Roy L. Williams 35-38
Kemp Starrett 38-39
Frank Godwin [?]


Fanny Cory's specialty was drawing children, which she did for 60 years for a variety of magazines, newspapers and books. She also drew a newspaper panel and two comic strips, the most successful of which was Little Miss Muffet.

Cory had been a professional childrens illustrator for nearly 40 years by the time she got into the comic strip business. She sold her first drawing to St. Nicholas magazine in 1896, and her work thereafter appeared in Life, The Saturday Evening Post, and Scribners. By the end of the century she had branched out into childrens book illustrations. In 1901, she did the pictures for The Master Key, the first of several L. Frank Baum books she illustrated. In 1904, Cory settled in Montana, where she married, and lived on an 1800-acre ranch near Helena. She continued to illustrate childrens books in a style influenced by Howard Pyle, Arthur Rackham, and Art Nouveau.


In the middle 1920s, she and her husband, with three children ready for college, found they needed something beyond ranching and book illustrating. Cory, whose brother was a political cartoonist, decided to try the newspaper syndicates. She sold a one-column panel, Sonnysayings, to the Philadelphia Ledger syndicate in 1928. The feature was popular and survived into the 1950s.

In 1934, she completed her first newspaper strip, which was also done for the Ledger syndicate. It was entitled Babe Bunting. Babe was a curly-haired little tyke, clearly intended to grab the fans of movie moppet Shirley Temple. A seeming orphan, Babe was initially a salty little kid whose response to patronizing adults was usually "Shes just talking through her hat." The following year, Cory was lured away by William Randolph Hearst and went over to King Features.

There, she drew another little girl adventure strip, Little Miss Muffet, inspired by a nursery rhyme and the Shirley Temple movie of the year before, Little Miss Marker. The strip was a moderate success, but Cory never thought much of it. She had no hand in the writing, which she felt was too bland. "There are no gangsters, or divorces or anything like that in her adventures," she told an interviewer in the late 1930s, "so she must be a relief to mothers. But sometimes I think shes too pure." Despite her feelings, Cory stayed with the strip. Living alone on her Montana ranch, she continued with Miss Muffet until 1956. She was five years short of a century old when she died.

(Information on the biography above is based on writings from the book, "The Encyclopedia of American Comics", edited by Ron Goulart.)

http://www.askart.com/AskART/artists/biography.aspx?searchtype=BIO&artist=22940

SEARCH INFO FOR "BABE BUNTING:"

FROM www.rtsco.com/stripdly.htm -
Babe Bunting - Started by Fanny Cory, this rare pretty girl strip was continued by Roy L. Williams after 1935 (1934-39). 1939 (Jul-Aug) - 53 5-column strips $15.00

www.rtsco.com/mainsale.htm - Shipping Info Page
Allan Holtz 30831 Cove Rd Tavares, FL 32778
Phone: (352) 253-9779 (10 AM - 5 PM) or (352) 253-2357 (after hours) E-Mail: allan@rtsco.com


• "Famous Funnies", a monthly comic book from the '30's, included Babe Bunting mixed in with several other comics.

EXAMPLE: (From Heritage Auctions)
http://comics.heritageauctions.com/common/auction/catalogprint.php?SaleNo=816&src=closed

6198 - Famous Funnies #61-84 Bound Volume Group (Eastern Color, 1939-41) A favorite among early comics fans was Famous Funnies, filled with reprinted newspaper strips both well-remembered (Buck Rogers, Dickie Dare, Napoleon); and now-forgotten (BIg Chief Wahoo, Babe Bunting, Adventures of Patsy, Jitter). These were file copies that were bound and trimmed into hardback books for office use -- Western Publishing presumably received these to use as reference, as the comics weren't published by Western. From the Random House Archives.Sold for: $1,265.00.

About "Famous Funnies" http://www.toonopedia.com/famous-f.htm


OTHER SEARCH INFO

"Babe Bunting" maybe in The Boston Globe from September 1935 to July 1939. Uncertain source.



From www.lib.msu.edu/comics/rri/brri/bab.htm :


Babe Bunting.
Index entry (p. 159-160) in The Adventurous Decade, by Ron Goulart (New Rochelle, N.Y. : Arlington House, 1975). Call no.: PN6725.G6
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Babe Bunting.
Index entry (p. 387) in Crawford's Encyclopedia of Comic Books, by Hubert H. Crawford (Middle Village, N.Y. : Jonathan David Publishers, 1978). -- Call no.: PN6725.C7 1978
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Babe Bunting.
Index entry (p. 83) in The Encyclopedia of American Comics, ed. by Ron Goulart (New York : Facts on File, 1990). Call no.: PN6725.E64 1990
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Babe Bunting.
Index entry (p. 115-116) in The Funnies, 100 Years of American Comic Strips, by Ron Goulart (Holbrook, Mass. : Adams Publishing, 1995). -- Call no.: PN6725.G62 1995
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Babe Bunting.
Index entry (p. 180) in The World Encyclopedia of Comics, ed. by Maurice Horn (New York : Chelsea House, 1976). Call no.: PN6710.W6 1976
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LINKS

http://www.fycory.com - Homepage for fycory w/ additional links

www.geocities.com/tyburndick/fanny2.htm LMM comics by FYC, Other Titles & Writers




NAPOLEON AND UNCLE ELBY



Napoleon and Uncle Elby was written by cartoonist Clifford McBride and rendered largely in pantomime. It was a mainstay of the comic pages for more than a quarter of a century.

Napoleon was a big, clumsy, ungainly dog, most likely an approximation of an Irish wolfhound. As dogs go, he had a remarkably broad facial range, able to convey surprise, dismay, haughty disdain, grudging satisfaction and much more, as recognizable to readers as the expressions of any human character, and yet completely dog-like in every panel. Napoleon's alleged "master", Uncle Elby, was no more able to impose his will on the dog than was Si Keeler, on Maud the Mule. The difference was that Maud acted out of pure orneriness, whereas Napoleon was just playful, headstrong, and not overly concerned about any damage he might cause.


Uncle Elby wasn't quite what you'd call elderly, but getting pretty close. He was overweight and kind of fussy, just the sort of guy who would be most disconcerted by the antics of a dog like Napoleon — whom he clearly loved, no matter how hard it was to deal with the beast, or how upset he became as a result of those antics. Other than Napoleon, Uncle Elby lived alone, but his young nephew, Willie, was also part of the cast.

Elby actually preceded Napoleon in print. McBride's prior syndicated work, most of which bore his own name (e.g., McBride's Cartoon (1927), Clifford McBride's Pantomime Comic (1932), etc.) didn't have regular stars; but Elby, who was based on McBride's own uncle, Henry Elba Eastman, would turn up in them with increasing frequency. After a while, Elby's big, bumptious pooch began turning up with him.


On June 6, 1932, McBride launched Napoleon as a daily strip, with a very minor syndicate. It was soon picked up by McNaught (Mickey Finn, Heathcliff). A Sunday page was added on March 12, 1933; and starting in '34, Uncle Elby shared the title. A notable sequence, highly sought by collectors, came very early on, in 1933-34, when a seafaring friend, Singapore Sam, narrated an extended fantasy to Willie, about Jumping Jack Island and its strange inhabitants. Other than that, there was very little day-to-day or week-to-week continuity.


The strip was a success, with several hardcover reprint books published within a few years. There was also a Big Little Book. It was reprinted in early issues of Famous Funnies; and the same publisher, Eastern Color Printing, produced Napoleon & Uncle Elby as a oneshot comic book in 1942. Dell Comics, too, published a Napoleon oneshot in 1953, as part of its catch-all Four Color Comics series. During the mid-1940s, Napoleon was used in print advertising for Red Heart Dog Food. Bob Clampett (Bugs, Daffy), a friend of McBride's, made puppets of the characters shortly after leaving Warner Bros., but rights to do a TV show based on them proved hard to nail down. Still, the techniques he developed in making Napoleon's face suitably expressive came in handy for Cecil the Seasick Sea Serpent.

McBride lived until 1950, and his former assistant, Roger Armstrong (Ella Cinders, Scamp), continued the strip. Under Armstrong, it ran until 1961.

From: http://www.toonopedia.com/napoleon.htm

TRIVIA WITHIN TRIVIA

The historical significance of the names of the characters, Napoleon & Elby, is as follows:

On April 12, 1814, Napoleon picked up a pen and renounced his throne. Once master over an empire of seventy million people, he would now become the emperor of the tiny island of Elba.

Then, on February 26, 1815, he slipped off of Elba with a handful of soldiers. Two weeks later, Napoleon was in the French capital, and Louis XVIII had fled.




LINKS

Comic Characters on Button-Pins - 1940's. 180 images - Long Download

www.comics.org - "Comic Database" - Search for old comics by Character, Title, Date, etc.

About "Famous Funnies" http://www.toonopedia.com/famous-f.htm

San Francisco Academy of Comic Art Collection - List of old comics, may be useful in tracking down something in the future


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